Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

It was kind of a boring weekend, so I thought I'd have a chat with two of my good pals and then foist it off as an actual article. Our topic of discussion was An American Carol, its reception from film critics and moviegoers, and the aggressive ways in which people often communicate through the internet (our review is currently up to well over 100 comments). Joining us today are my esteemed colleagues Eric D. Snider and William B. Goss. Let's listen in, shall we?

Scott: You both saw and reviewed An American Carol. What can you tell us about readers' reactions to your articles? (Eric's review here. Will's here.)

Will: Reader reaction was, for the most part, violently contrarian, with many equating the lack of laughter on my part to some sort of deep-seated anti-American sentiments, and not due to David Zucker's anti-humor stance.

Eric: Mostly the same for me. A lot of comments were posted within a very short span of time, and they said basically the same thing as each other, making me wonder if there was an organized effort somewhere urging people to make their voices heard.

Scott: Would you say you walked into the film with any prejudice or bias?

Eric: I was predisposed to liking David Zucker. I even liked (for the most part) the last two "Scary Movie" films, which he directed, which I think put me in the minority. I was wary of how good a comedy would be when it was made with such a specific goal in mind -- usually you gotta let the humor come first, then the ideology, not the other way around -- but I was curious to see what would happen.

Will: While I LOVE Airplane!, really like the first Naked Gun, and genuinely enjoy Scary Movie 3, I didn't laugh during the trailer and couldn't recall if I was ever pleasantly surprised by any film that went unscreened for press.

Eric: Good point... Not screening is almost always a bad sign. I'm sure that dampened my expectations somewhat.

We've had superheroes who actually hold some sort of power, and we've had normal folks pretending their super, but how about possible delusion, or secret superhero traits that lead you to spell poorly? As The Hollywood Reporter posts, Woody Harrelson and Sandra Oh are starring in a new film called Defendor, and Playlist-loving Kat Dennings is looking to join in on the fun. Woody will play a man who thinks he has a secret superhero identity, while Oh plays his shrink and Dennings would play a teen he becomes friends with. As a superhero, what sort of powers would suit Woody best? Leaping over buildings in a single bound? Tingling Spider sense? Stay tuned!

In the rumor realm, we've got buzz bubbling about a third Coco Chanel project (like two aren't enough). Beyond the TV movie with Shirley MacLaine and the feature with Audrey Tatou, The Guardian posts that there might be a third starring, believe it or not, Demi Moore. I guess the look is right, but could Mrs. Kutcher pull off a period piece -- one focused on an icon no less? (And just in case Coco isn't enough for you, the report also states that there are rumors about Vivienne Westwood and Kate Moss heading to the big screen.) *UPDATE: Westwood is on her way, with Kate Winslet signed to play the icon.

Now this next bit isn't exactly casting news, but it could become that -- Variety reports that Kevin Bacon is executive producing a new series for Showtime that dips into the life of Honest Abe's infamous assassin, John Wilkes Booth. Considering how well John Adams did, I wouldn't be surprised if Bacon grabs Booth's role for himself. There's a fair likeness.

Plus: Ex-Boston Legal star Rhona Mitra is heading to Separation City, and the ever lovely Beth Grant is dabbing in Extract.

Here's the setting: You just arrived home after saving a country from an evil mastermind hell-bent on taking over their supply of chewing gum and using it to create mayhem. During that time, however, you missed your Cinematical and all the stuff that happened during the week. Well, you showed up at just the right time -- may we now present [drum roll please] ... Cinematical's Stuff That Happened This Week!

Fanboy Stuff
Kenneth Branagh is Directing Thor
Transformers 2 is Shooting in IMAX
Eagle Eye Writer Wants to Make a Blade Runner 2?
Zack Snyder Talks 300 Sequel
But Then Jon Favreau Talks Iron Man Sequel
Check Out Early Art for Pixar's The Incredibles
Star Wars Steampunk and Reservoir Dogs = Hella Cool!
Are They Rebooting Daredevil?

Exclusive Stuff
Bolt Poster Premiere
Pray the Devil Back to Hell Poster Premiere
Clip from Bill Maher's Religulous

Stuff to Talk About
Will Smith vs Will Smith
Five People Who Should Star in PG Porn
Who's More Uncomfortable with Onscreen Nudity?
Which Upcoming Marvel Film Shows the Most Promise?
How Saw V Could Actually Be Good
Is Roku's Netflix Player Tempting You Yet
When Talking Animals Attack
Horror Remakes That Don't Suck

Reviews and Stuff
How to Lose Friends and Alienate People
Beverly Hills Chihuahua
Religulous
Rachel Getting Married
Nick and Norah's Infinite Playlist
Flash of Genius
Appaloosa
An American Carol
Indie Spotlight: New Releases for Oct. 3

More stuff after the jump ...

It is hard to believe that a comedy as singularly inept and downright unfunny as An American Carol came from one of the three minds behind one of the funniest comedies of all time, Airplane! (I'd argue THE funniest, but that's for another place and time), and harder yet to believe that it somehow weaseled its way onto 1,600+ screens this weekend. But here it is, as witless and tactless as anything 2008 has offered up to date, and in a year where the wonder duo that is Friedberg and Seltzer has shat out not one, but two similarly dreadful offerings, that's saying a lot.

(We're re-posting our review of Rachel Getting Married from the Toronto International Film Festival to coincide with the film's theatrical release this weekend)

By: James Rocchi

Rachel Getting Married is a terse, smart, funny and tough family drama about forgiveness and failure written by Jenny Lumet; it's also a loose, smart, broad and bright film about family and love directed by Jonathan Demme. When these two things are in sync, the end result is something truly impressive – a moving story that appeals to your heart and soul without insulting your intelligence, a film full of big scenes that never stoops to the most obvious possible iteration of those big scenes, a movie loaded with great and sincere performances from the top down. When the two parts of Rachel Getting Married fall out of synch – as they do, most notably, in the last third of the film during Demme's raucous, joyous post-wedding reception – it's less catastrophic than it is curious, and the final film is still very much worth watching.

In one corner, we have Toni Collette and Philip Seymour Hoffman (doesn't that sound good already?). The Hollywood Reporter posts that PSH has just signed his voice up to star opposite Collette in Mary and Max, a claymation project from Down Under. Sort of like a claymation version of Love Letters, the film focuses on two penpals who foster a friendship over 20 years while one lives in Australia and the other in the US. I don't know if this is a tale of classic pen to paper, or something a little more modern with late-night Internet session while one goes to bed and the other rises. To make things even more interesting -- it's the feature debut for Harvie Krumpet Oscar winners Adam Elliot and Melanie Coombs.

In the other corner, there's one of the strangest couplings I've read in a while -- Helen Hunt and Liev Schreiber. Variety reports the pair are starring in a new drama called Every Day. What's weird -- they're playing a "couple whose marriage is strained to the breaking point." Nip/Tuck's Richard Levine will make his feature directorial debut with the film, which starts production in New York this month. I don't know why, but this pairing just seems really strange. They're not far off in age, so who knows?

Weigh in below: Which pair do you want to see more?

Cinematical has just received this exclusive clip from the new documentary Religulous, starring Bill Maher and directed by Larry Charles (Borat). In the docu-comedy, Maher travels from country to country examining faith and religion and the role it plays in the world. In the clip below, Maher, demonstrating his pro-marijuana beliefs, discusses whether you can be high and spiritual at the same time.

On Religulous, Cinematical's James Rocchi said, "it's a funny film about some depressing things, it's a lighthearted tour through terrorism, injustice and intolerance. But those contradiction and challenges are, ultimately, what make the film linger uneasily in your mind, reaching past comedy and confrontation to challenge the audience with a fierce and forceful prayer that there might be no god." You can listen to our audio interview with Bill Maher over here, and you can catch Religulous in theaters this weekend.

Bonjour! Buenos dias! Whassup! It's diversity week here at the Trailer Park and we're looking at previews for films from our about different cultures.

Dragonball
I've seen only a a few episodes of the Japanese cartoon on which this live action film is based, but I'm not seeing a whole lot here that reminds me of the anime. Frankly it reminds me more of Mortal Combat Kombat. Like the original, this is a martial arts fantasy with prophecies, super powers, lots of action and a hero with preposterously spiked hair. Chow Yun Fat is in there to add some action movie cred, but will that be enough? From what I've read the anime fans are not thrilled with this one, and it's not doing a lot for me either. I don't think this one if for me.

Amexicano
Here's a charming looking indie about a friendship between and Italian American and an illegal immigrant from Mexico. Bruno (Carmine Famiglietti) is behind on his rent and reluctantly goes into the construction business, hiring Mexican day laborers to help him. When he hires Ignacio (Raúl Castillo) the two forge a bond despite the fact that Ignacio does not speak English. I'm looking forward to this one.

Entertainment journalists are very often the last line of defense between movies/movie stars and the general public. We work for the public and are available to disentangle cinematic takes on baseball, superheroes, various wars, Elizabethan times, romantic conquests, car chases, or what have you. But when the material is more or less about us, it's much harder to find some perspective. Based on a memoir by British journalist Toby Young, the very funny new film How to Lose Friends & Alienate People is tough going at first, but it ultimately avoids relieving itself where it eats. And it has an underlying sweetness that should appeal to a large cross section of movie people and people who like movies.

Simon Pegg stars as Sidney Young, an anarchic British journalist who runs his own tiny, gutsy rag, the Post Modern Review. He measures himself against the kinds of celebrities he can get close to, but also despises them and loves to poke holes in their images. When he runs a nasty story on a powerful New York publisher, he receives a phone call and a job offer. Soon he finds himself standing in the office of Sharps magazine and its editor-in-chief, Clayton Harding (Jeff Bridges). Sidney idolizes Clayton for a more hardcore magazine he used to publish, and considers Sharps a sellout, but also loves the power and the paycheck it can bring. With his outsider attitude, he immediately begins screwing up and alienating all his co-workers, including powerful publicist ("I don't like that word") Eleanor Johnson (Gillian Anderson) and co-worker Alison Olsen (Kirsten Dunst). But he's so persistent (and they had such a good, solid "meet-cute") that Alison eventually tolerates him and then warms up to him.